Monday, February 7, 2011

Should we fear the effects of the media?

What effects do media have on you? What impact can watching certain films or television programs have on your own behavior and beliefs?

Can you control and manage the impact of media on your life, thoughts, and worldview, or are you a passive and gullible victim subject to the forces of something far greater than yourself?




To what degree are your understandings of the world around you shaped by media's representations of that world--be it through movies, television, or news reports?

To what degree can images of violent action on screen "cause" you to act violently? What kind of potential damage can sexually explicit media have on young and impressionable consumers such as children?



Can persuasive media with implicit political or ideological messages shape our consciousness and make us into uncritical followers?

Do any of us in society need to be shielded or protected from media and its effects?

Alternately, should some central agency censor or prohibit the dissemination of any potentially harmful or disturbing media?

These are very complicated questions with no easy answers, and communication scholars (and community leaders) have been actively debating and seeking answers to them for over a century. Strong feelings about these issues impact public policy and social policy, drive social and political movements, and effect lifestyles and parenting decisions.

As you can see from the range of questions above, the scope of concerns about the effects of media on society ranges from

(1) fears that children and youth are most vulnerable to potentially corrupting media messages containing sex and violence
to
(2) fears that the content of the media will be controlled by leaders (either political or corporate) with very narrow or focused ideological beliefs that will limit the free flow of information and the wide range of viewpoints available to us.



Many of the debates on media effects come down to the philosophical conflict between having freedom of speech and the press (and therefore allowing any media forms to be published, regardless of whether their content is objectionable), and on the other hand, some form of media control and regulation--censorship, filtering, ratings, or whatever might be needed--to "protect" those vulnerable members of society from accessing media messages that some gatekeepers consider to be harmful or incorrect.

Totalitarian governments are well known for their tight control over the media, ranging from blocking the free flow of information to producing one-sided media messages (for news or entertainment) that only support the ruling party's political and philosophical points of view. The very effective use of visual media by Hitler's regime to support the goals of the Nazi movement in the 1930s is often cited as having brought the world's attention to the power of media propaganda.


In the U.S., many grassroots organizations, such as the American Family Association crusade and mobilize support against media that offend their religious or political positions, "to promote decency and morals in American culture." Many of them are doing so not by requesting censorship but by taking an economic approach, boycotting sponsors who support such programs.



Patrolling that fine line between First Amendment rights to freedom of expression and the need for protection of the public, the U.S. Federal Communications Commission is the government agency charged with protecting the airwaves (now including radio, television, wire, satellite and cable) on behalf of the American public, and the "public interest" tenet guiding this agency has been interpreted differently over the years since the FCC was formed in 1934. The FCC is perhaps best known for enforcing laws prohibiting obscenity, indecency, and profanity.


Regulating content in movies has been a huge social concern since the very earliest days of cinema. A Supreme Court case ruled in 1915 that free speech did not extend to motion pictures, resulting in the establishment of state censorship boards. By the 1920s, leaders in the Hollywood film industry had created its own self-regulating body and developed the Hays Code of 1930, a set of self-censorship guidelines agreed upon by the studios. These were replaced by the Motion Picture Association of America, which has administered the movie rating system widely used since 1968.



The following overview from CommGAP (Communication for Governance and Accountability Program, a World Bank initiative) provides a very concise summary of the media effect scholarship regarding the ways that media *may* shape our views of the world.

Media Effects and Our View of the World

While discussion of media effects often centers on dramatic issues such as violence or propaganda, scholars have identified a number of more subtle potential effects:

Priming – Media messages may stimulate recall of stored ideas, knowledge, opinions, or experience associated in some way with the message content. For example, a news story about the French presidential election might trigger thoughts about the French economy, memories of a trip to Paris during college, or remind a person to put brie on their grocery list (Fiske & Taylor, 1991).

Agenda-Setting – The media may not affect what people think, but may affect what they think
about, through the choice of which topics to cover and what to emphasize. Control of the flow of information is often referred to as “gatekeeping,” and is based not only on media professionals’ perceptions of what is important, but also on time and space limitations (Cohen, 1963; Lippmann, 1922).

Framing – Frames are the particular treatment or “spin” an individual or organization gives to a message (Gitlin, 1980). While agenda-setting is choosing which stories to tell, framing is choosing how to tell them. Frames may “promote a particular problem definition, causal interpretation, moral evaluation, and/or treatment recommendation” (Entman, 1993, p. 54).

Cultivation – Over time, heavy viewers of television may come to believe that the real world is similar to the television world – heavy exposure to the media cultivates this belief (Gerbner, Gross, Signorielli,& Morgan, 1980). For example, based on the proportion among television characters, a heavy user of television might estimate that more than one in ten males hold jobs in law enforcement, when in reality only 1 in 100 do (Dominick, 2005, p. 471). Researchers have been particularly concerned with cultivation’s impact on racial, ethnic, and gender stereotypes as well as attitudes about violence.

Related to cultivation, there are several other important terms in the media effects vocabulary:

Mainstreaming – Heavy television viewers may lose the attitudes, beliefs or customs of their cultures in favor of those they see repetitively on television (Bryant & Thompson, 2002).

Disinhibitory effect – Media’s ability to desensitize people to socially unacceptable behavior, making it either acceptable or desirable. The disinhibitory effect may enable people to rationalize or justify actions that conflict with their internal code of conduct or morality (Bryant & Thompson, 2002). Early research on this effect exposed preschoolers to a film in which adults took out their aggression on an inflatable punching bag clown (“Bobo”); children who saw the film later imitated it and also engaged in other violent behavior not seen on the film (Bandura, Ross, & Ross, 1963).

Mean World Syndrome – Media consumers may become so overwhelmed by negative portrayals of crime and violence that they may begin—either cynically or despondently—to believe the real world is a mean and harsh place (Gerbner, Gross, Jackson-Beeck, Jeffries-Fox, & Signorielli, 1978; Wilkinson & Fletcher, 1995).

What are your thoughts and experiences about media effects, and whose responsibility do you think it should be to patrol that line between freedom of expression and censorship?

And what questions do you think are or will be the new generation of concerns about the effects of social media?

Friday, February 4, 2011

Journalism--and journalists--the target of violent attacks in Egypt

The latest turn in the political uprising in Egypt--and one that is particularly relevant for my media students to consider--is the clampdown on journalism by Egyptian authorities who are desperate to prevent the free flow of information from Egypt to the outside world.


Having already blacked out the internet a week ago, Egyptian authorities in the past few days have taken extreme measures to quell the spread of reports by journalists, both foreign and domestic. "Gangs of thugs" (presumably secret police under command of Mubarak's regime) are violently attacking foreign news agency headquarters, vehicles, and journalists themselves.

“It appears that journalists are being targeted by the Egyptian authorities in a deliberate campaign of intimidation aimed at quashing honest, independent reporting of a transformational event,” said The Washington Post’s foreign editor, Douglas Jehl.

In a richly-textured Op-Ed column entitled We Are All Egyptians, Nicholas Kristof of The New York Times said: "Mubarak has disgraced the twilight of his presidency. His government appears to have unleashed a brutal crackdown — hunting down human rights activists, journalists and, of course, demonstrators themselves, all while trying to block citizens from Tahrir Square. As I arrived near the square in the morning, I encountered a line of Mr. Mubarak’s goons carrying wooden clubs with nails embedded in them."


As reported by Jeremy Peters and David Goodman for The New York Times:

No news organization seemed exempt from the rage, which escalated as the week wore on. Whether from Western or Arab media, television networks or wire services, newspapers or photo syndicates, journalists were chased through the streets and had their equipment stolen or smashed. Some were beaten so badly that they required hospital treatment.

ABC News reported that one of its crews was carjacked on Thursday and threatened with beheading. A Reuters journalist said a “gang of thugs” had stormed the news service’s office and started smashing windows. And four journalists from The Washington Post were detained by forces that they suspected were from the Interior Ministry. All four were released by early Friday. But two of them, the paper’s Cairo bureau chief and a photographer, had been ordered not to leave a local hotel.

Michael Scherer reports in a blog for Time Magazine that

The Associated Press reports that military police raided the offices of human rights workers from Amnesty International and arrested at least 30, and that the Army was rounding up journalists. There are clear signs that the Mubarak regime is organizing these attacks and directing the violence.

Mark Cina of Reuters news wire has collected Twitter reports today from television and print journalists--many of them very prominent--who have experienced this violence first-hand today in Cairo:

Anderson Cooper (CNN): "Got roughed up by thugs in pro-mubarak crowd..punched and kicked repeatedly. Had to escape. Safe now ... Thanks for tweets of concern..I'm sore and head hurts but fine. Neil and mary anne are bruised but ok too. Thanks"



ABC News' Brian Hartman: "Just escaped after being carjacked at a checkpoint and driven to a compound where men surrounded the car and threatened to behead us ... One man who swore to kill us wore police uniform. Mubarak banner over the scene. But anger at perceived media bias was genuine."

Katie Couric (CBS): "Outside square Pro mubarak protestors very hostile...wouldn't let us shoot video, pushing etc another photog just got punched and maced ... It is pretty scary and unruly out there, but we're being very cautious."

Al-Jazeera's Dan Nolan: "2 sides faced off for 15mins, no violence just war of chants then kaboom! Don't know what exactly ignited it but boy did it turn ugly fast! ... Sorry for the radio silence guys but situation has become much worse in past 24hrs esp for media even more so for aljazeera!"


Independent Television News' Jonathan Rugman: "Morning from Cairo! Thugs we think are Mubarak secret police threatening journalists. Many turned back for safety ... One journalist punched in face, another stabbed in leg by pro-Mubarak thugs in Cairo this morning. On their way to hospital now ... Gunfire as anti Mubarak protestors push beyond their barricades ... Chant going up "the regime must cpme down" ... What I have not described is the constant chanting, shouting, beating of metal barricades - all night and all day."

Al-Jazeera's Anna-Lisa Fuglesang: "So I'm in what people are calling a war zone, journos with bandages on their heads. I on the other hand have got an eye infection ... Monday we were out filming freely talking to people on the streets. The atmosphere was good. Today we can't leave our hotel .. All the journos sitting in the hotel lobby have been moved away from the entrance. Rocks are being thrown close to the front door."

Christiane Amanpour (ABC): "Tried filming on bridge into sq. Mob surrounded us, chased us into car shouting that they hate America - kicked in doors & broke windshield ... In the pre-dawn hours, there was heavy shooting into the protesters & into that square, where women & children also had been all night."

The situation has become desperate, and the attacks on journalists, in violation of international agreements to honor freedom of the press, are being decried by many world leaders.

U.S. Secretary of State Hillary Clinton condemned the assaults on American journalists by saying, "This is a violation of international norms that guarantee freedom of the press and it is unacceptable under any circumstances."

To end with a quote from Kristof's moving column:

The lion-hearted Egyptians I met on Tahrir Square are risking their lives to stand up for democracy and liberty, and they deserve our strongest support — and, frankly, they should inspire us as well. A quick lesson in colloquial Egyptian Arabic: Innaharda, ehna kullina Misryeen! Today, we are all Egyptians!

Wednesday, February 2, 2011

The New Media Revolutions: News Reports from the Arab World


Have you ever heard of a "listening post"? During World War I, a listening post was a shallow, narrow trench or hole in advance of the front trench line of battle, placing the "listeners" dangerously close to the enemy so they could gather intelligence.

Today in our mass media class, we watched two outstanding magazine-style news programs from Listening Post, the weekly news roundup from Al Jazeera's English service. Hosted by Canadian Richard Gizbert, the show examines how news events are covered by news media throughout the world. The episodes for January 22nd and 29th covering the Revolution in Tunisia and the subsequent events in Egypt were penetrating and insightful coverage, and refreshing in that they provided a different view than what we have seen on American news programs.





These episodes (each about 25 minutes) are definitely worth watching by anyone who wants to gain insights into the role of media (and especially new media) in various parts of the world and in the Middle East in particular. As reported in Wikipedia, "Aaron Barnhart, TV writer for the Kansas City Star, wrote that The Listening Post 'might be the best media-critique program in English anywhere.' Stewart Purvis, former editor-in-chief and CEO of the Britain's ITN, said 'The Listening Post has delivered," and that its real value "is the breadth of its monitoring beyond the mainstream'."

speak2tweet: Ingenuity to Provide a Voice for Internet-Blocked Egyptians

Over the weekend, in the midst of the unprecedented internet communication blackout imposed by the Egyptian government, a new social media platform was born: speak2tweet, a voice messaging service that converts telephone messages to Twitter posts and allows Egyptians who still have phone service to get their messages out to the wider world.



The new service is a partnering between Google, SayNow (a voice-based social media platform that is owned by Google), and Twitter, and works by providing three telephone numbers that Egyptian callers can dial and where they can record voice messages to be converted to Twitter posts. For more details, here's the New York Times article.